Kadhal desam subtitle file
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There was a lot of effort put in by these masters to perfect each frame” Director Kathir and Anand sir were very particular about it. We’d assemble at the beach at around four in the morning and shoot till sunrise at six. Sharing the story behind the film's beach sequence, Vineeth says, “We shot Karthik’s illusion sequence for nearly 10 days. He shot an entire sequence in the magic hour - early in the morning just before sunrise - to capture the purplish natural light on celluloid.” Despite those technical restraints, he created poetry on the silver screen. Talking of the cinematographer’s knack for creating perfect frames, Vineeth shares, “Back in the day, we were shooting on celluloid, which came with its set of limitations related to lighting. Although he looked reserved, he was the kind of guy who often pulls your leg.” More importantly, he had a terrific sense of humour. Reminiscing his experience with KV Anand through the shoot of Kadhal Desam, Vineeth adds, “He was one of the rare cinematographers who had the ability to mould actors as well.
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“ Kadhal Desam was a trendsetter for cinematography and music.”
#Kadhal desam subtitle file Pc
Interestingly, both of them were products of the PC Sreeram’s school of cinematography, shares Vineeth. “I remember simultaneously shooting for the Telugu film Priyuralu and Kadhal Desam. The Telugu film was shot by Thiru sir while KV Anand sir shot Kadhal Desam. And, of course, a fantastic craftsman,” says Vineeth “The news of his demise is too much to take in.